文章基本信息

标题：Repetitions in art: Campbell’s Soup Cans
本地全文：下载
作者：Figen Girgin
期刊名称：International Journal of Human Sciences
印刷版ISSN：1303-5134
出版年度：2020
卷号：17
期号：1
页码：49-64
DOI：10.14687/jhs.v17i1.5522
出版社：International Journal of Human Sciences
摘要：Repetition or interpretation in art is based on very old times. Much earlier repetition than mechanical copying was often done for master-apprentice teaching or for eye-training purposes. Copying in the mechanical way allows the production of similarities, while copying in digital mode allowed more circulation and access of similarities. From the 20th century, the work of art has become more accessible. The artworks exhibited in various parts of the world, in museums and galleries, reach other artisans or art buyers who are miles away from them, or they are welcomed in their living spaces. The original was now in distribution with copies. A similar situation is both faster and more common today in the Internet age. A similar situation is both faster and more common today in the Internet age. Warhol, on the other hand, puts a consumption object in the art world, which does not deny mechanic reproduction, but already has a graphic design and copies with it. A soup box with thousands of copies is exhibited alone or with copies of it. It shows that art and life are intertwined or that he don’t reject the popular culture-consumption conception in their society in the age of living. The graphic design of soup boxes with thousands of copies has been repeated by Warhol and won the original with his signature in the art. These paintings are reproduced both by his contemporaries and by artists today. An artwork that is actually a copy, can it give the same effect when it is repeated? How do original, unique, copy, reappear in Campbell's Soup Cans? Why and how has Campbell's Soup Cans been repeated in art? In this research, these questions were tried to be answered through the works of the artists who recreated Campbell's Soup Boxes.