摘要:Multimodal fiction, as recently studied by Hallet (2009), Gibbons (2012), and
Maziarczyk (2011; 2012), among others, is the phenomenon shared by those novels
which combine various semiotic modes in the development of the narrative. The
purpose of the present work is to account for the most salient semiotic resources used
in the multimodal novel The Curious Incident of the Dog in the Night-Time by Mark
Haddon (2004). In view of the work which still needs to be done in the field, and the
increasing profusion and diversity of multimodal literary forms in recent years, this
study aims at throwing new light upon the diverse and significant ways in which the
strategic inclusion of various semiotic resources operates in fiction.