期刊名称:Revue Critique de Fixxion Française Contemporaine
印刷版ISSN:2033-7019
出版年度:2016
卷号:0
期号:13
页码:5-14
出版社:Ghent University & Ecole Normale Supérieure
摘要:If on the one hand contemporary novelistic prose marks a return to the question of interiority, it seems, on the other hand, that this renewed interest in the inner life is not accompanied by a resurgence of the psychological novel. This article studies the forms that the representation of psychic life without psychology can take in the work of three novelists who show a “concern for inner life”: Marie NDiaye, Maylis de Kerangal and Hélène Lenoir. The abandonment of realism and psychological analysis coincides with the renunciation of the powers and the cognitive omniscience of the narrative voice. These authors convey, through the use of enunciative interference and fractured perspective, the opaque interiority of characters absent to the world, whom demonstrate obscure motives in NDiaye and Lenoir, and a subverbal experience or a kinesthesia of emotions in Kerangal. In the end, these novels depict an interiority laid bare.
关键词:NDiaye;Kerangal;Lenoir;interiority;point of view;free indirect style;enunciation;stylistics;NDiaye;Kerangal;Lenoir;intériorité;point de vue;style indirect libre;énonciation;stylistique