摘要:In this article, I will discuss the special role that Zeruya Shalev has in the contemporary Israeli literature by the interpretation of the novel Love Life (1997). I shall claim that Shalev, as opposed to canonical Israeli writers such as Amoz Oz, A. B. Yehoshua and David Grossman, does not establish herself as the “watchman for the house of Israel”. Thus, she tells the private-domestic-feminine narrative in a way that does not reflect the Israeli national narrative.
其他摘要:In this article, I will discuss the special role that Zeruya Shalev has in the contemporary Israeli literature by the interpretation of the novel Love Life (1997). I shall claim that Shalev, as opposed to canonical Israeli writers such as Amoz Oz, A. B. Yehoshua and David Grossman, does not establish herself as the “watchman for the house of Israel”. Thus, she tells the private-domestic-feminine narrative in a way that does not reflect the Israeli national narrative.
关键词:Yehoshua Abraham B. (1936-); Oz Amos (1939-); Shalev Zeruya (1959-); Grossman David (1954-); écrivain politique; récit national; écriture feminine↓צרויה שלו; עמוס עוז; דויד גרוסמן; א''ב יהושע; סופר פוליטי; נרטיב לאומי; כתיבה נשית
其他关键词:literature; Yehoshua Abraham B. (1936-); Oz Amos (1939-); Shalev Zeruya (1959-); Grossman David (1954-); political writer; national narrative; women’s writing