文章基本信息

标题：Preaching About Pipes and Praise: Lutheran Organ Sermons of the Seventeenth Century
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作者：Irwin, Joyce L.
期刊名称：Yale Journal of Music & Religion
印刷版ISSN：2377-231X
出版年度：2015
卷号：1
期号：2
页码：3
出版社：Yale University
摘要：The seventeenth century was a grand era for organ building, and as new organs were installed in Lutheran churches in Germany, there were services of dedication at which a sermon was preached to explain the theological basis for using organ music in worship and to extol the value of instrumental worship for the praise of God. In some respects these sermons were all alike: scriptural passages, predominantly from the Old Testament, were cited to remind the congregation of ancient musical practices; opponents of church organs from Zwingli through Calvin to Voetius and Grossgebauer were chastised as misguided or worse; the value of music for spiritual inspiration and psychological well-being was extolled; most important, the role of music in rendering proper praise to God was highlighted. The preachers of these sermons did not strive for originality, and they frequently yielded reluctantly to the pressure to publish, recognizing that many similar sermons were already in print. Nevertheless, the differences between the sermons are worth examining in relation to the context in which the new organs were being installed. Some churches were celebrating a new organ after an earlier one had been destroyed by iconoclasts; some were also celebrating the return of peace following the Thirty Years' War. Others addressed doubts and concerns about spending large sums of money on organs during economic hard times. Some paid tribute to those authorities who had made such acquisitions possible, often using Old Testament kings as models. Others addressed primarily the ordinary worshippers and interpreted the organ as a symbol of the human organism or of congregational unity. When the sermons were preached at a special occasion of thanksgiving and celebration, the scriptural text was frequently taken from the Psalms, particularly Psalm 150; in such cases the main point was that the organ's value was to promote the praise of God. Exegetically more interesting are those sermons based on the assigned scripture of the day, as, for instance, the story from Mark 7 of the healing of the deaf man, or on a text such as I Timothy 4:4–5 about the goodness of all God's creation. This article summarizes the main points that are common to the organ sermons and then highlights the ways in which preachers adapted different scripture passages to lend support to instrumental music in worship.