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  • 标题:Cinema as Propaganda during the Third Reich
  • 本地全文:下载
  • 作者:Sean Michael Goodell
  • 期刊名称:Utah Historical Review
  • 印刷版ISSN:2374-1570
  • 出版年度:2012
  • 卷号:2
  • 页码:143
  • 语种:English
  • 出版社:Phi Alpha Theta - Alpha Rho
  • 摘要:Normal 0 false false false EN-US JA X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Cambria; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin;} The use of film as a method of propaganda is a powerful tool, and it is one the Nazis used quite efficiently. From bluntly political films that had clearly stated goals, to subtle artsy films that hid the message behind entertainment, the full gamut of genre and style can be find in the over 1,000 films produced by the Nazi Regime. These films can be broken down even further into the subjects: Kampfzeit, Führerprinzip, Blut und Boden , Enemies of the Reich, War, and Escapism. This article seeks to educate the reader about Nazi Cinema, rather than argue its varying degrees of success. When a film has the power to drive people to the streets, its desired effect is in evidence. It is impossible to get a clear view of this particular subject through literature, thus the films themselves are referenced as well. Only the most successful or most applicable films were used. For example: Triumph of the Will was both very successful and applicable, but Ich klage an (although reasonably successful) was chosen for its relevance to the topic of Blut und Boden. And what of the Audience? Goebbels and his Ministry of Propaganda accounted for all parts of society. His efforts did not go to waste.
  • 关键词:Nazis;Propaganda;Film;Triumph of the Will;WWII;World War II;Goebbels;Hitler;Olympiade;Leni Riefenstahl;Cinema
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